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past projects

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Black Earth: Resistance, Anti-Racism and the Environment

In 2022/23, we embarked on an ambitious project to speak to the Black diasporic experience of conversations around environmental justice and climate change. This was a research project encompassing workshops, nature walks, artist commissions and green care packages for the local communities in Watford and the South East, Bristol, and Bath. The project examined mental health impacts for Black British, African heritage, and Global Majority communities, and how creative resistance can support responses. It began with a Town Hall meeting, facilitated by Samia Dumbaya and Selina Nwulu with live illustration by Jasmine Thompson. Discussions shaped workshops led by Zakiya McKenzie and Kaysha Provost in Bristol, focusing on: • What climate justice means to us • Guilt and mental health • Creative resistance These insights informed the Green Care Packages, created with Community Apothecary and Afrofuturists Apothecary, also available in PDF. We hope this resource helps communities and arts organisations create space and joy for Global Majority people in climate justice conversations.

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Match/Play

For our 25th birthday, we supported six artists from different disciplines to collaborate on new work: Raphael Dada (multidisciplinary) and Karis Beaumont (photography) created Black British Yearbook, an intergenerational exploration of the immigrant experience through portraiture, music, and food. Alexander Williams (singer/writer/actor) and Lexie Dufficy (singer-songwriter) produced original music exploring race, identity, and the Black/mixed-race experience in Britain. Stephanie Stevens (actor/writer/singer) and Jasmine Kahlia (multidisciplinary) created FINESSE, a two-hander musical using live looping to explore loneliness, scams, insecurity, and belonging.

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Museum Lates

Museum Lates was our series of 5 readings and conversations held at Watford Museum exploring the Black British Canon from 1970 - 2010. In each, a cast of emerging actors performed a play from a different decade by a Black writer who has made a notable contribution to Black Stories. These plays were: Rum and Coca Cola by Mustapha Matura (1970s), Leave Taking by Winsome Pinnock (1980s), Boy with Beer by Paul Boakye (1990s), Random by debbie tucker green (2000s), Chewing Gum Dreams by Michaela Coel (2010s). The series helped to introduce the local community and beyond to an important element of Black British theatre.

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brilliant

tiata fahodzi are fearless risk-takers, cultivating unseen spaces of theatre and making work in surprising spaces, building a home where both artists and audiences can belong, where we can collaborate, celebrate, partner and co-produce to ask big questions and find solutions to forge a radical future.

brilliant

tiata dynamic backgroudsArtboard 4_3x-8.png

tiata fahodzi are fearless risk-takers, cultivating unseen spaces of theatre and making work in surprising spaces, building a home where both artists and audiences can belong, where we can collaborate, celebrate, partner and co-produce to ask big questions and find solutions to forge a radical future.

current projects

PlayLab

PlayLab returns in 2026 with a refreshed two-year programme designed to support and develop Global Majority artists working across theatre and the wider performing arts. 
 
We are selecting six artists from across the UK for a paid opportunity that centers long-term development, creative exploration, and sector connection. 
 

About The Programme  

PlayLab is a structured two-year programme delivered through 12 sessions (six each year), running bi-monthly sessions from February 2026 to December 2027.  

The programme offers: 

  • A paid artist development opportunity over two years 

  • A supported space to develop your artistic practice 

  • Sessions shaped by the cohort’s needs and interests 

  • Access to specialist facilitators 

  • Regular mentorship 

  • Regional theatre engagement opportunities 

  • Peer connection and professional guidance 
     

Eligibility 

We are seeking applications from: 

  • Global Majority artists working in a range of practices within the arts/performing arts 

  • Artists based anywhere in the UK 

  • Makers who are looking for structured support to expand their practice, reflect on their career path, or strengthen their networks 

We welcome a wide range of disciplines and approaches to performance. 
 

Programme Structure
 
Year One - 2026 

  • February: Cohort Introduction 

  • April: Curated workshop 

  • June: Regional venue workshop 

  • August: Curated workshop 

  • October: Curated workshop 

  • December: Mid-way roundtable and feedback
     

Year Two - 2027 

  • February: Curated workshop 

  • April: Regional venue workshop 

  • June: Curated workshop 

  • August: Curated workshop 

  • October: Curated workshop 

  • December: Final roundtable and summary 
     

How to Apply 

Applications for the 2026/7 cohort are now closed.
Please keep an eye out for more opportunities.

Selection Process 

After an internal long-listing process, the final shortlist will be chosen by a panel of industry leaders and artists.

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